The Editions collection includes pieces such as Le Zèbre, Trame Tachetée, Motif Feuille, Horizon Infini, L’Écart, Rouge, Bruté, Stilla, Le Passage, d’Ombre, Tiara, La Ligne, Calmé and Formé. Some are graphic, some almost silent. All allow the material to take part in the design.
Éclipse brings organic forms into an almost minimal geometry. On an ivory and beige ground, darker masses suggest dunes or shadows; changes in height give the design a depth that reveals itself as you move around the rug.
Cascade follows black curves across an ivory ground, as if a movement crossed the surface before opening again. Its design can extend a perspective or connect pieces of furniture without creating a rigid division.
Noir Lima draws on the image of a desert at night. A light ground receives dark lines that suggest long shadows or distant topography. Side light gradually reveals the depth of the wool.
Lima takes its cue from a light landscape of warm whites, beige and sand tones. Its composition gives architecture room to breathe and works with stone, wood or a more colourful palette.
Solstice brings together abstract forms, cobalt accents and touches of yellow. Tufted passages meet flatter sections, allowing colour and construction to give the design its relief.
Sahara reduces the palette so texture can take the lead. Monochrome nuances move through the wool between denser and sculpted areas, like a landscape observed without being depicted.
Nocturne takes the geometry of a landscape after dark. Structured forms and restrained contrast create an intimate anchor, while wool keeps the design from feeling cold.
Jirra alternates taupe tones, dense wool areas and flatweave passages. These material islands give the rug an almost topographical quality, made to be seen and felt underfoot.
MAAJ brings curves and architectural forms together in a composition built in levels. Differences in wool thickness give the contours a physical presence, especially legible beneath a table or at the centre of an open room.
Oasis arranges organic forms in an earthy palette. Open contours leave breathing spaces between the masses, giving the eye direction without imposing a figurative decoration.
Jouzour means “roots”. Its knotted islands seem to meet through more open passages, like rivers or paths of movement. The contemporary design keeps its construction visible through repeated gestures.
Sienna brings black, beige and caramel together around more decisive organic forms. Its palette is warm, while the design keeps enough tension to anchor a light interior or answer darker materials.
Le Zèbre takes the idea of trace and irregular repetition rather than a literal animal motif. Free lines give the composition energy, while wool softens the way it is read.
Trame Tachetée organises repeated marks and small interruptions. Shifts in tone and density keep the surface from feeling industrial and preserve its hand-made character.
Motif Feuille evokes the botanical through contour and rhythm rather than illustration. The spaces between forms matter as much as the lines, creating an organic but open presence.
Horizon Infini stretches the eye through a composition made for long lines, large tables and open rooms. Wool gives the continuity enough depth to keep it from becoming flat.
L’Écart makes the distance between forms its subject. Empty spaces structure the composition and let the floor, light and furniture take part in the design.
Bruté returns to a surface where wool comes before ornament. Density, touch and variations of the hand build its character, leaving volumes and furniture to complete the composition.
Le Passage carries the eye from one edge to the other through lines and thresholds. It is particularly suited to entrances, transitional areas and large rooms where the rug must organise movement.
d’Ombre works through shifts in tone and density, like a form appearing in changing light. Its presence stays quiet, while the surface gains depth in side light.
Tiara brings a graphic elegance softened by material. Its lines can answer a constructed architecture or geometric furniture, while variations of the hand keep the piece from feeling over-controlled.
La Ligne reduces the gesture to a trace that organises the surface and creates an axis. This economy can extend a perspective, underline a table or give direction to a freer room.
Calmé creates a quiet but never empty presence. Tones and forms leave the rest of the interior room to exist, while the material reveals itself through proximity and light.
Formé begins with silhouette and builds the rug as a soft volume across the floor. Its shape can interrupt a regular composition or extend architecture already working with curves and volumes.
Maison Tóukkani
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